Part 3 in a series of essays on the films of director Christopher Nolan.
Insomnia, Nolan's first post-Momento film, is full of metaphors for the writing of a film or novel, from developing details to killing off characters, from constructing a narrative to fandom.
When Ellie Burr first meets detective Dormer, she gushes about his career, telling him she’s followed all of his cases and that she even wrote her thesis on him in college. She is his biggest fan. Similarly, as the cops uncover the mystery behind Kay Connell’s murder, we discover that Kay was a huge fan of local crime author Walter Finch, and even got to meet and spend time with him. It is not a coincidence that Ellie and Kay are both at least partially defined by their respective fandoms; it compliments and foreshadows the collaboration between the men they admire, Dormer and Finch.
(Warning: Spoilers ahead)
